Trapheauxly isn’t your average artist—far from it. He’s a lyricist, an activist, and a voice for the unheard. Now, with a publishing deal at Dreamers Island Entertainment and a new project, Hypnagogia, on the way, he’s stepping into a new phase—one that blends his signature sound with fresh, experimental energy.
We caught up with him to talk about the deal, his upcoming releases, and the relentless fight for justice that defines everything he does.
“This Isn’t Just About Music—It’s About Legacy.”
Q: Signing with Dreamers Island—how did that come about, and why now?
Trapheauxly: Honestly, it felt right. I’ve always been independent, but this deal? It’s about pushing things further. More resources, more reach—but no compromise. I’m still calling the shots. I’m not here to be anyone’s puppet. I’m here to tell my truth and leave a legacy.
“Hypnagogia Feels Like Stepping Into a Dream.”
Q: Your new project Hypnagogia—that’s an interesting title. What’s the story behind it?
Trapheauxly: Hypnagogia is that weird space between being awake and asleep—you know, when reality gets fuzzy. That’s where I’m living with this project. Sonically, it’s different—more experimental—but still me. I want listeners to feel like they’re floating between worlds.
Q: So, we’re getting a new sound from you?
Trapheauxly: Yeah—but I’m not abandoning who I am. It’s still raw, still intellectual, but I’m taking risks. I’m pushing the boundaries of my sound. This isn’t about fitting in—it’s about carving out new space.
“The ‘ISIS’ Remix? It’s Another Layer to the Story.”
Q: You’re dropping a remix of “ISIS” with COCO NAOKO on March 13—what can fans expect?
Trapheauxly: COCO brings a whole new energy to the track. “ISIS” already carries weight—it’s about transformation and power. With her on it, we’re adding another layer. I only collaborate with people who get theK vision—and she gets it.
“Fighting Human Trafficking Isn’t a Headline—It’s My Life.”
Q: You’ve done serious work fighting human trafficking—how did that start?
Trapheauxly: It started when I was 17. I wrote Atlanta’s human trafficking policy because no one else was doing it. Later, I spent 10 years breaking down a major trafficking ring—without pay, without recognition. I didn’t do it for headlines—I did it because it needed to be done.
Q: You were also involved in the Diddy investigation. Why did you take that on?
Trapheauxly: I wasn’t going to stay quiet about my own case. The system protects people with power, and I’m not here for that. I speak up—even when it’s uncomfortable. That’s just who I am.
“I Don’t Just Write Music—I Write Truth.”
Q: You’re also dropping a book, Lorde Knows, on November 6—Election Day. What’s the significance?
Trapheauxly: That date is intentional. Lorde Knows is about power, identity, and survival. It’s my truth in written form. I chose Election Day because it’s a reminder—everything is political, even when we pretend it’s not.
“I’m Not Done—Not Even Close.”
Q: With everything happening—what’s next for you?
Trapheauxly: More. More music. More truth. I’m not here for quick fame—I’m building something that lasts. The Dreamers Island deal is just the beginning. I’m here to shake things up—and I’m not done. Not even close.
Trapheauxly isn’t following anyone else’s path—he’s forging his own. With Hypnagogia dropping soon and a relentless commitment to truth, his next chapter is shaping up to be his most powerful yet.
